{"id":130,"date":"2015-03-08T22:45:45","date_gmt":"2015-03-08T22:45:45","guid":{"rendered":"http:\/\/www.artactcat.org\/?page_id=130"},"modified":"2015-08-07T05:08:44","modified_gmt":"2015-08-07T05:08:44","slug":"the-art-activism-catalog","status":"publish","type":"page","link":"https:\/\/www.artactcat.org\/?page_id=130","title":{"rendered":"The Complete Art-Activism Catalog"},"content":{"rendered":"

A<\/strong><\/h1>\n

Aagerstoun, M. J., & Auther, E. \u201cSpecial Issue: Feminist Activist Art.\u201d NWSA Journal: A Publication of the National Women’s Studies Association,<\/i> 2007, 19(1).<\/p>\n

tags: Feminism, Women in Activism, LGBTQ<\/b><\/p>\n

 <\/p>\n

Adorno, Theodor. \u201cCommitment.\u201d (1962) New Left Review <\/i>I, 87-88, 1974.<\/p>\n

tags: Classic, Theory, Aesthetics.<\/b><\/p>\n

 <\/p>\n

Alonzo, Pedro, et. al. Art and Agenda: Political Art and Activism<\/i>. Berlin, Germany: Gestalten Press, 2011.<\/p>\n

tags: Contemporary Art.<\/b><\/p>\n

 <\/p>\n

Althusser, Louis. \u201cIdeology and Ideological State Apparatuses,\u201d from Lenin and Philosophy and Other Essays<\/i>. New York and London: Monthly Review Press, 1972.<\/p>\n

tags: Marxism, Classic, Theory, Philosophy.<\/b>\u00a0<\/strong><\/strong><\/p>\n

 <\/p>\n

Amoore, Louise, and Alexandra Hall. \u201cThe Clown at the Gates of the Camp: Sovereignty, Resistance, and the Figure of the Fool,\u201d in Security Dialogue<\/i>, vol. 44:2. pp. 93-110. 2013.<\/p>\n

tags: Humor, Creative Solidarity.<\/b><\/p>\n

 <\/p>\n

Aristotle, Poetics<\/i>. Trans. Anthony Kenny Oxford: Oxford University Press, 2013.<\/p>\n

tags: Classic, Theatre, Theory, Philosophy.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Arnold, Matthew. Culture and Anarchy. <\/i>Oxford: Oxford University Press, 2006.<\/p>\n

tags: Classic.<\/b><\/p>\n

 <\/p>\n

Art Workers\u2019 Coalition \u201cStatement of Demands\u201d in Art in Theory 1900-1990<\/i>. Wiley-Blackwell Publishing, 1992.<\/p>\n

tags: Manifestoes, America, Classic.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Ault, Julie. Alternative Art New York: 1965-1985. <\/i>Minneapolis, MN: University of Minnesota, 2002.<\/p>\n

tags: America, Contemporary Art, Social Change, AIDS, Feminism,<\/b>\u00a0Anthologies, Women in Activism.<\/b>\u00a0<\/strong><\/strong><\/p>\n

 <\/p>\n

\n

 <\/p>\n

B<\/strong><\/h1>\n

Bakhtin, M.M. Rabelais and His World. <\/i>Translated by Helene Iswolsky. Bloomington, IN: Indiana University Press, 1984 [1965].<\/p>\n

tags: Classic, Literature, Humor, Carnival, Theory.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Becker, Konrad, et al. Public Netbase: Non Stop Future, New Practices in Art and Media. <\/i>Frankfurt: Revolver, 2008.<\/p>\n

tags: Media Activism, Globalization, Cultural<\/b> Resistance, Contemporary Art, Europe, America.<\/b><\/p>\n

 <\/p>\n

Benjamin, Walter. \u201cThe Author as Producer\u201d from Understanding Brecht. <\/i>Trans. Anna Bostock. London: Verso, 1998.<\/p>\n

tags: Theatre, Classic. <\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Bichlbaum, Andy, Mike Bonanno, and Bob Spunkmeter. The Yes Men: The True<\/i> Story of the End of the World Trade Organization. <\/i>New York: Disinformation, 2004.<\/p>\n

tags: Humor, Economics<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Bichlbaum, Andy, and Mike Bonanno. \u201cThe Yes Men Fix the World.\u201d Docudramafilms, 2009.<\/p>\n

tags: Humor, Film.<\/b><\/p>\n

 <\/p>\n

Bilal, Wafaa, and Kari Lydersen. Shoot an Iraqi: Art, Life, and Resistance Under the Gun. <\/i>San Francisco: City Lights, 2008.<\/p>\n

tags: Creative Solidarity, Middle East, Contemporary Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Bishop, Claire. \u201cThe Social Turn: Collaboration and its Discontents.\u201d Artforum, <\/i>February 2006.<\/p>\n

tags: Participatory Art, Contemporary Art, Theory<\/b><\/p>\n

 <\/p>\n

Blanco, Julia Ramirez. \u201cReclaim the Streets! From Local to Global Party Protest,\u201d in Revista de Estudios Globales y Arte Contempor\u00e1neo, <\/i>vol. 1:1, pp. 171-80. 2013<\/p>\n

tags: Creative Solidarity, Performance, Affect, Cultural Resistance.<\/b><\/p>\n

 <\/p>\n

Boal, Augusto. Theatre of the Oppressed. <\/i>Trans. Charles A. McBride. New York: Theatre Communications Group, 1985.<\/p>\n

tags: Theatre, Performance, Social Change.<\/b><\/p>\n

 <\/p>\n

Bogad, L.M. \u201cCarnivals against Capital: Radical Clowning and the Global Justice Movement.\u201d Social Identities <\/i>16, no. 4 (2010).<\/p>\n

tags: Activism, Carnival, Globalization, Humor.<\/b><\/p>\n

 <\/p>\n

Bogad, L.M. \u201cA Place for Protest: The Billionaires for Bush Interrupt the Hegemonologue.\u201d Chap. 14 in Performance and Place, <\/i>edited by Leslie and Helen Paris Hill, 170-79.<\/p>\n

tags: Culture Jamming, Activism, Humor, Performance<\/b><\/p>\n

 <\/p>\n

Bogad, L.m. \u201cClowndestine Maneuvers: A Study of Clownfrontational Tactics.\u201d In Firat, Begum Ozden, and Juryel, Aylin eds. Cultural Activism: Practices, Dilemmas, and Possibilities. Thamyris\/ Intersecting, <\/i>no. 21. 2010.<\/p>\n

tags: Humor, Cultural Resistance, Clowning.<\/b><\/p>\n

 <\/p>\n

Bogad, L.M. and Marisa Jahn. Byproduct: On the Excesses of Embedded Art Practices. <\/i>New York: Studio Rev Press, 2010.<\/p>\n

tags: Media Activism, Contemporary Art, Aesthetics.<\/b><\/p>\n

 <\/p>\n

Bourdieu, Pierre. Distinction. <\/i>Cambridge, MA: Harvard University Press, 1984.<\/p>\n

tags: Theory, Classic.<\/b><\/p>\n

 <\/p>\n

Bourriaud, Nicolas. Relational Aesthetics. <\/i>Dijon, France: Les Presse Du Reel, 1998.<\/p>\n

tags: Contemporary Art, Theory, Aesthetics.<\/b><\/p>\n

 <\/p>\n

Bordowitz, Gregg. \u201cMy \u201880s: My Postmodernism\u201d in Artforum, <\/i>March 2003.<\/p>\n

tags: AIDS, America, LGBTQ, Cultural<\/b> Resistance, Contemporary Art.<\/b>\u00a0<\/strong><\/strong><\/p>\n

 <\/p>\n

Boyd, Andrew. The Activist Cookbook: Creative Actions for a Fair Economy. <\/i>Boston: United for a Fair Economy, 1997.<\/p>\n

tags: How-To, Economics.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Boyd, Andrew, and Dave Oswald Mitchell. Beautiful Trouble: A Toolbox for Revolution. <\/i>New York: OR Books, 2012.<\/p>\n

tags: Activism, How-To, Revolution.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Bradley, WIll, and Charles Esche. Art and Social Change: A Critical Reader. <\/i>London: Tate, Afterall. 2007.<\/p>\n

tags: Social Change, Anthologies, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Breton, Andre, and Leon Trotsky, \u201cManifesto: Towards a Free Revolutionary Art.\u201d 1938.<\/p>\n

tags: Manifestoes, Marxism, Revolution, Classic, Theory.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Breton, Andre. \u201c(First) Manifesto of Surrealism\u201d from Manifestoes of Surrealism. <\/i>Ann Arbor, MI: Ann Arbor Paperbacks, 1969.<\/p>\n

tags: Classic, Manifestoes.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Bruner, M. Lane. \u201cCarnivalesque Protest and the Humorless State.\u201d Text and Performance Quarterly <\/i>25, no. 2 (2005): 136-55.<\/p>\n

tags: Humor, Carnival, Protest, Activism.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Bryan-Wilson, Julia. Art Workers: Radical Practice in the Vietnam War Era. <\/i>Oxford: University of California Press, 2009.<\/p>\n

tags: Contemporary Art, America, Feminism, Protest.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Burnham, Linda. The Citizen Artist: 20 Years of Art in the Public Arena. <\/i>Raleigh, NC: The Critical Press, 1998.<\/p>\n

tags: Community Art, Creative Solidarity, Anthologies.<\/b><\/p>\n

 <\/p>\n

\n

 <\/p>\n

\u00a0C<\/h1>\n

Carter, Ennis. Posters for the People: Art of the WPA. <\/i>Philadelphia: Quirk Books, 2008.<\/p>\n

tags: America, Social Change.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Chandler, Annemarie, and Norie Neumark. At a Distance: Precursors to Art and Activism on the Internet.<\/i> Cambridge, MA: The MIT Press, <\/b>2005.<\/p>\n

tags: Contemporary Art, Theory,<\/b> Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Chvasta, Marcyrose. \u201cAnger, Irony, and Protest: Confronting the Issue of Efficacy, Again.\u201d Text and Performance Quarterly <\/i>26, no. 1 (2006): 5-16<\/p>\n

tags: Activism, Carnival, Humor, Protest.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Cleveland, William. Art in Other Places: <\/i>Artists at Work in America’s Community and Social Institutions<\/i>. Santa Barbara, CA: Praeger, 2000.<\/p>\n

tags: Community Art, Contemporary Art, Social Change, America.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Cockcroft, Eva, John Pitman Weber, and James Cockcroft. \u201cMural Painting as a Human Process: The Community,\u201d from Toward a People\u2019s Art: The Contemporary Mural Movement. <\/i>Albuquerque, NM: University of New Mexico Press, 1998.<\/p>\n

tags: Community Art, America, Latin America, Participatory Art, Chicano Art<\/b>.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Cohen, Cynthia, Roberto Gutierrez Varea, and Polly O. Walker. Acting Together: <\/i>Performance and the Creative Transformation of Conflict: Volumes 1 and 2. <\/i>New York: New Village Press, 2011.<\/p>\n

tags: Performance, Community Art, Contemporary Art, Social Change,<\/b> Protest, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Cohen-Cruz, Jan, and Mady Schutzman. A Boal Companion: Dialogues on Theatre and Cultural Politics. <\/i>New York: Routledge, 2006.<\/p>\n

tags: Theatre, Cultural Resistance, Performance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Cohen-Cruz, Jan. \u201cAn Introduction to Community Art and Activism.\u201d http:\/\/www.communityarts.net\/readingroom\/archivefiles\/2002\/02\/an_introduction.php<\/a> (February 2008).<\/p>\n

tags: Community Art, Activism.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Cohen-Cruz, Jan. Radical Street Performance: An International Anthology<\/i>. London & New York: Routledge, 1998.<\/p>\n

tags: Performance, Theatre, Protest.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Collins, Lisa Gail, and Margo Natalie Crawford. New Thoughts on the Black Arts Movement. <\/i>New Brunswick, NJ: Rutgers University Press, 2006.<\/p>\n

tags: Black Arts Movement, Feminism, Women in Activism,<\/b> Literature.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Craven, David. Art and Revolution in Latin America:, 1910-1990. <\/i>New Haven, CT: Yale University Press, 2002.<\/p>\n

tags: Latin America, Revolution, Creative<\/b> Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Crimp, Douglas. AIDS Demo Graphics. <\/i>Seattle: Bay Press, 1990.<\/p>\n

tags: AIDS, Activism, Media Activism, LGBTQ.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Crimp, Douglas. AIDS: Cultural Analysis\/ Cultural Activism<\/i>. Cambridge, MA: October Books, 1988.<\/p>\n

tags: Theory, Contemporary Art, Cultural Resistance, AIDS,<\/b> LGBTQ.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Critical Art Ensemble. \u201cElectronic Civil Disobedience and Other Unpopular Ideas.\u201d Brooklyn, NY: Autonomedia, 1996.<\/p>\n

tags: Cultural Resistance, Manifestoes.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

D<\/h1>\n

Debord, Guy. Society of the Spectacle. <\/i>Detroit: Black and Red, 1970.<\/p>\n

tags: Classic, Marxism, Philosophy, Theory, Manifestoes.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

De Cautier, Lieven, and Ruben De Roo, Karel Vanaesebrouck, Editors. Art and Activism in the Age of Globalization. <\/i>Rotterdam, Netherlands: nai010 publishers, 2011.<\/p>\n

tags: Globalization, Film, America, Contemporary Art, Art<\/b> Criticism.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Demos, T.J. The Migrant Image: The Art and Image of Documentary During the Global Crisis<\/i>. Durham, NC: Duke University Press, 2013.<\/p>\n

tags: Globalization, Film, Contemporary Art, Immigration.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Denning, Michael. The Cultural Front: The Laboring of American Culture in the Twentieth Century. <\/i>London: Verso, 1997.<\/p>\n

tags: America, Cultural Resistance, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Dery, Mark. \u201cCulture Jamming: Hacking, Slashing and Sniping in the Empire of Signs.\u201d Open Magazine Pamphlet Series, 1993.<\/p>\n

tags: Media Activism, Culture Jamming, Classic.<\/b><\/p>\n

 <\/p>\n

Downey, Anthony. \u201cSaadiyat and the Gulf Labor Boycott.\u201d Ibraaz, <\/i>May 2013.<\/p>\n

tags: The Middle East, Globalization, Activism,\u00a0<\/b>Immigration, Labor.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Duncombe, Stephen. Dream: Re-Imagining Progressive Politics in an Age of Fantasy. <\/i>New York: New Press, 2007.<\/p>\n

tags: Imagination, Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Duncombe, Stephen. Cultural Resistance Reader. <\/i>London and New York: Verso, 2002.<\/p>\n

tags: Cultural Resistance, Protest, Revolution,<\/b> Anthologies.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

E<\/h1>\n

Elam Jr., Harry. Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka<\/i>. Ann Arbor, MI: University of Michigan Press, 2001.<\/p>\n

tags: Black Arts Movement, Chicano Art, Theatre, Protest, Creative Solidarity, Immigration.<\/b><\/p>\n

 <\/p>\n

Enwezor, Okqwui: Editor. The Short Century: Independence and Liberation Movements in Africa 1945-1994. <\/i>New York and London: Prestel, 2001.<\/p>\n

tags: Postcolonialism, Africa, Theatre, Film, Literature, Contemporary Art.<\/b><\/p>\n

 <\/p>\n

\n

 <\/p>\n

F\u00a0<\/strong><\/strong><\/h1>\n

Felshin, Nina. But is it Art? The Spirit of Art as Activism. <\/i>Seattle: Bay Press, 1994.<\/p>\n

tags: Theory, Classic, Anthologies. <\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Finkelpearl, Tom. What We Made: Conversations on Art and Social Cooperation.<\/i> Durham, NC: Duke University Press, 2013.<\/p>\n

tags: Contemporary Art, Participatory Art, Aesthetics, Art<\/b> Criticism.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Fletcher, John. \u201cOf Minutemen and Rebel Clown Armies: Reconsidering Transformative Citizenship.\u201d Text and Performance Quarterly <\/i>29, no. 3 (2009): 222-38.<\/p>\n

tags: Performance, Activism, Humor.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Frascina, Francis. Art, Politics, and Dissent: Aspects of the Art Left in Sixties America. <\/i>New York: St. Martin\u2019s Press, 1999.<\/p>\n

tags: America, Contemporary Art, Performance, Creative<\/b> Solidarity, Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

G<\/h1>\n

Garcia, David, and Geert Lovink. \u201cThe ABC of Tactical Media.\u201d 1997.<\/p>\n

tags: Manifestoes, Media Activism.<\/b><\/p>\n

 <\/p>\n

Gaspar de Alba, Alicia. Chicano Art Inside\/Outside the Master’s House: Cultural Politics and the CARA Exhibition. <\/i>Austin: The University of Texas Press, 1998.<\/p>\n

tags: Chicano Art, Theory, America, Immigration, Latin America.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Gilbert, Ame, and Yael Raviv. \u201c<\/i>Space to Grow: Women, Art, and the Urban Agriculture Movement.\u201d in Women & Performance: A Journal of Feminist Theory,<\/i> Vol. 21, Issue 3, 2011, pgs. 385-395.<\/p>\n

tags: America, Feminism, Creative Solidarity, Women in Activism.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

G\u00f3mez-Pe\u00f1a, Guillermo. Ethno-Techno: Writings on Performance, Activism and Pedagogy. <\/i>New York: Routledge, 2005.<\/p>\n

tags: Performance, \u00a0Theory,\u00a0Postcolonialism, Latin America.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Goodwin, Jeff, James M. Jasper and Francesca Polletta. Passionate Politics: Emotions and Social Movements<\/i>. Chicago: University of Chicago Press, 2001.<\/p>\n

tags: Affect, Imagination.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Gramsci, Antonio. Selections from the Prison Notebooks. <\/i>New York: International Publishers Co., 1971.<\/p>\n

tags: Classic, Marxism, Europe, Theory, Philosophy.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Greer, Betsy. Craftivism: The Art of Craft and Activism. <\/i>Vancouver, BC: Arsenal Pulp Press, 2014.<\/p>\n

tags: Women in Activism, Creative Solidarity,<\/b> AIDS, Feminism, LGBTQ.<\/b><\/p>\n

 <\/p>\n

\n

 <\/p>\n

H\u00a0<\/strong><\/strong><\/h1>\n

Habermas, Jurgen. \u201cThe Public Sphere,\u201d from Habermas and the Public Sphere. <\/i>Ed. Craig Calhoun. Cambridge, MA: The MIT Press, 1992.<\/p>\n

tags: Theory, Philosophy, Classic.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Harding, Thomas. The Video Activist Handbook. <\/i>London: Pluto Press, 2001.<\/p>\n

tags: Activism, How-To.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Hariman, Robert. \u201cPolitical Parody and Public Culture.: Quarterly Journal of Speech <\/i>94, no. 3 (2008): 247-72<\/p>\n

tags: Humor,Carnival.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Harrebye, Silas. \u201cThe Ambivalence of Creative Activism as a Reorganization of Critique,\u201d in Culture and Organization, <\/i>pp. 1-21. 2013<\/p>\n

tags: Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Hauregud, Angelique. No Billionaire Left Behind: Satirical Activism in America. <\/i>Stanford, CA: Stanford University Press, 2013.<\/p>\n

tags: Humor, Carnival, Economics.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Helguera, Pablo. Education for Socially Engaged Art. <\/i>New York: Jorge Pinto Books, 2011.<\/p>\n

tags: Social Change, How-To, Cultural Resistance,<\/b> Performance, Community Art, Participatory Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Helmy, Mohammed M., and S. Freirichs. \u201cStripping the Boss: The Powerful Role of Humor in the Egyptian Revolution 2011.\u201d Integrative Psychological and Behavioral Science <\/i>47, no. 4 (2013): 450-81.<\/p>\n

tags: Humor, Africa, Revolution, Social Change, Protest.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Hiller, Harry H. \u201cHumor and Hostility: A Neglected Aspect of Social Movement Analysis.\u201d Qualitative Sociology <\/i>6, no. 3 (1983): 255.<\/p>\n

tags: Humor, Social Change.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Holert, Tom. \u201cBurden of Proof: Contemporary Art and Responsibility\u201d in Artforum,<\/i> March 2013, pp. 251-59.<\/p>\n

tags: Contemporary Art, America, The Middle East.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Huizinga, Johan. Homo Ludens: A study of the Play-Element in Culture. <\/i>Boston, MA: Beacon Press, 1971.<\/p>\n

tags: Imagination, Cultural Resistance, Theory.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

I<\/h1>\n

Independent Institute of Socio-Economic and Political Studies. \u201cTeddy-Bear Landing–How the Belarusians Evaluated It.\u201d Independent Institute of Socio-Economic and Political Studies, 2012.<\/p>\n

tags: Humor, Protest, Media Activism.<\/b><\/p>\n

 <\/p>\n

\n

 <\/p>\n

J<\/strong><\/strong><\/h1>\n

Jackson, Shannon. Social Works: Performing Art, Supporting Publics. <\/i>New York: Routledge, 2011.<\/p>\n

tags: Contemporary Art, Community Art, Theory, <\/b>Social Change.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Jorgensen, Aage. \u201cTouring the 1970\u2019s with the Solvognen in Denmark.\u201d The Drama Review: TDR <\/i>26, no. 3 (1982): 15-28.<\/p>\n

tags: Theatre, Humor, Performance, Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

K<\/h1>\n

Kanouse, Sarah, \u201cCooing Over the Golden Phallus,\u201d The Journal of Aesthetics and Protest<\/i> 4 (2005): 21-31.<\/p>\n

tags: Humor, Theory.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Kenney, Padraic. A Carnival of Revolution–Central Europe 1989. <\/i>Princeton, NJ: Princeton University Press, 2002.<\/p>\n

tags: Carnival, Creative Solidarity, Europe, Theatre, Humor.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Kessel, Martina, and Patrick Merziger. The Politics of Humour: Laughter, Inclusion, and Exclusion in the Twentieth Century. <\/i>Toronto: University of Toronto Press, 2010.<\/p>\n

tags: Humor, Cultural Resistance.<\/b><\/p>\n

 <\/p>\n

Kester, Grant. Art, Activism, and Oppositionality: Essays from Afterimage<\/i>. Durham, NC: Duke University Press Books, 1998.<\/p>\n

tags: <\/b>Contemporary Art, Theory, Participatory Art, America.<\/b><\/p>\n

 <\/p>\n

Kester, Grant. Conversation Pieces: Community and Communication in Modern Art. <\/i>Oxford: University of California Press, 2013. (new edition)<\/p>\n

tags: Community Art, Activism, Social Change, Participatory Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Klepto, Kolonel. \u201cMaking War with Love: The Clandestine Insurgent Rebel Clown Army.\u201d City <\/i>8, no. 3 (2004): 403-11.<\/p>\n

tags: Clowning, Humor, Activism, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Koh, Adeline. \u201cThe Political Power of Play,\u201d in Hybrid Pedagogy. <\/i>2014.<\/p>\n

tags: Imagination, Cultural Resistance, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Kulkarni, Kavita. \u201cBillionaires for Bush: Parody as Political Intervention.\u201d in <i>Hemispheric Institute E- Misf\u00e9rica<\/i> 1.1, Fall 2004.<\/p>\n

tags: Humor, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Kupchinsky, Oleg. \u201cToys for Democracy: In a Siberian City, Activists Find a Creative Way to Protest\u201d rferl.org, <\/i>January 16 2012.<\/p>\n

tags: Humor, Creative Solidarity, Activism, Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

L<\/h1>\n

Laclau, Ernesto, and Chantal Mouffe. Hegemony and Socialist Strategy: Towards a Radical Democratic Politics. <\/i>London: Verso,1985.<\/p>\n

tags: Classic, Cultural Resistance, Theory.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Lambert-Beatty, Carrie. \u201cTwelve Miles: Boundaries of the New Art\/Activism\u201d in Signs <\/i>33, Volume 2: 309-328, Winter 2008.<\/p>\n

tags: Feminism, Globalization, Contemporary Art, Humor.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Lambert-Beatty, Carrie, Claire Pentecost, and Lori Waxman. Talking with Our Mouths Full: New Language for Socially Engaged Ar<\/i>t, edited by Elizabeth Chodos. Chicago: Green Lantern Press, 2008.<\/p>\n

tags: Social Change, Theory, Contemporary Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Lawston, Jodie M. \u00a0and Ashley E. Lucas, Razor Wire Women: Prisoners, Activists, Scholars and Artists. <\/i>Albany, NY: State University of New York Press, 2011.<\/p>\n

tags: Women in Activism, Feminism, America, Creative Solidarity. <\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Lasn, Kalle. Culture Jam: The Uncooling of America. <\/i>1st ed. New York: Eagle Brook, 1999.<\/p>\n

tags: Culture Jamming, Classic, Media Activism.<\/b><\/p>\n

 <\/p>\n

Lippard, Lucy. \u201cThis is Art?\u201d, \u201cSweeping Exchanges,\u201d \u201cSetting a New Place,\u201d and \u201cTrojan Horses: Activist Art and Power\u201d in Art After Modernism: Rethinking Representation<\/i>, 1984.<\/p>\n

\u201cSilence Still = Death\u201d in High Performance<\/i> #36, Vol. IX, No. 4, 1986.<\/p>\n

\u201cThe Art Workers Coalition\u201d in Idea Art<\/i>, 1973.<\/p>\n

tags: Feminism, AIDS, Art Criticism, Theory, LGBTQ.<\/b><\/p>\n

 <\/p>\n

Lippard, Lucy. Get the Message? : A Decade of Art for Social Change<\/i>. Boston, MA: E.P. Dutton, 1984.<\/p>\n

tags: Contemporary Art, Social Change, Theory, Art Criticism.<\/strong><\/p>\n

 <\/p>\n

\n

M<\/h1>\n

MacPhee, Josh, and Erik Reuland. Realizing the Impossible: Art Against Authority.<\/i> Oakland, CA: AK Press, 2007.<\/p>\n

tags: Anthology, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Marx, Karl, and Frederick Engels. The German Ideology. <\/i>New York: New World Paperbacks, 1970.<\/p>\n

tags: Marxism, Europe, Theory, Classic.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

McIntyre, Iain. How to Make Trouble and Influence People: Pranks, Hoaxes, Graffiti & Political Mischief-Making from across Australia. <\/i>Melbourne: Breakdown Press, 2009.<\/p>\n

tags: How-To, Humor, Australia.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

McKee, Yates. \u201cWake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla\u2019s Land Mark,\u201d in October, <\/i>Summer 2010: pp. 20-48.<\/p>\n

tags: Contemporary Art, Theory, America, Globalization.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

M\u00f6ntmann, Nina. (editor) Public: Art | Culture | Ideas<\/i> #39: New Communities, Spring 2009.<\/p>\n

tags: Community Art, Affect, Participatory Art, Manifestoes, Cultural<\/b> Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Moore, Alan W. Art Gangs: Protest and Counterculture in New York City. <\/i>New York: Autonomedia, 2011.<\/p>\n

tags: Protest, America, Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

N<\/h1>\n

Not an Alternative. Retooling Dissent. <\/i>(documentary: http:\/\/vimeo.com\/5347269<\/a>)<\/p>\n

tags: Cultural Resistance, America, Economics, Protest, Creative Solidarity.<\/b><\/p>\n

 <\/p>\n

Notes from Nowhere\/ We Are Everywhere: The Irresistible Rise of Global Anticapitalism. <\/i>London: Verso, 2003.<\/p>\n

tags: Carnival, Creative Solidarity, Humor, Globalization.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

O<\/h1>\n

O\u2019Neill, Paul. \u201cInterview with Tania Bruguera,\u201d BOMB Magazine, <\/i>Summer 2014.<\/p>\n

tags: Contemporary Art, Latin America, America, Immigration,<\/b> Participatory Art, Community Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

P<\/h1>\n

Pellegrini, Ann. \u201cArt, Activism and Social Change: \u2018A Hell of a lot of Hard Work\u2019 \u2013 An Interview with Karen Finley\u201d in Women and Performance: A Journal of Feminist Theory<\/i>, 2007): 331-337.<\/p>\n

tags: Feminism, Women in Activism, Social Change, Contemporary Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Plato, Book 10 from The Republic. <\/i>Trans. Christopher Rowe. London: Penguin Books U.K., 2012.<\/p>\n

tags: Classic, Philosophy, Theory, Theatre.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Platt, Susan Noyes. Art and Politics Now Cultural Activism in a Time of Crisis<\/i>. New York: Midmarch Arts Press, 2011.<\/p>\n

tags: Cultural Resistance, Contemporary Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

Q<\/h1>\n

Quiroga, Jose A. Tropics of desire: Interventions from Queer Latino America. <\/i>New York: New York University Press, 2000.<\/p>\n

tags: Latin America, LGBTQ, Cultural Resistance, Chicano Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

R<\/h1>\n

Raley, Rita. Tactical Media (Electronic Meditations) <\/i>Minneapolis, MN: University of Minnesota Press, 2009.<\/p>\n

tags: Media Activism, Contemporary Art, <\/b> Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Ranci\u00e8re, Jacques. The Politics of Aesthetics. <\/i>New York: Bloomsbury Revelations, 2013.<\/p>\n

tags: Theory, Classic, Aesthetics, Philosophy, Revolution.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Rasmussen, Mikkel Bolt. \u201cThe Politics of Interventionist Art: The Situationist International, Artist Placement Group, and Art Workers\u2019 Coalition.\u201d Rethinking Marxism<\/i> 21.1 (Jan 2009): 34-49.<\/p>\n

tags: Marxism, Contemporary Art, Protest.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Raunig, Gerald. Art and Revolution: Transversal Activism in the Long Twentieth Century<\/i>. Los Angeles: Semiotext(e), 2007.<\/p>\n

tags: Theory, Contemporary Art, Revolution.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Raven, Arlene. Art in the Public Interest. <\/i>Cambridge, MA: Da Capo Press, 1993.<\/p>\n

tags: Art Criticism, Community Art,<\/b> Performance, Cultural Resistance, Contemporary Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Raven, Arlene. Crossing Over: Feminism and Art of Social Concern<\/i>. Ann Arbor: University of Michigan Press, 1988.<\/p>\n

tags: Feminism, Women in Activism, Contemporary Art, Art Criticism.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Raven, Arlene. \u201cWomanhouse\u201d from The Power of Feminist Art<\/i>, ed. Norma Broude and Mary Garrard. New York: Abrams Press, 1994.<\/p>\n

tags: Feminism, Creative Solidarity, Contemporary Art.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Reed, T.V. The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle. <\/i>Minneapolis, MN: University of Minnesota Press, 2005.<\/p>\n

tags: Protest, Creative Solidarity, Theory.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Rogoff, Irit. Terra Infirma: Geography’s Visual Culture.<\/i> New York: Routledge, 2000.<\/p>\n

tags: Contemporary Art, Globalization, Theory, Immigration,<\/b> Postcolonialism, Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Romanienko, Lisiunia A. \u201cAntagonism, Absurdity, and the Avant-Garde: Dismantling Soviet Oppression through the Use of Theatrical Devices by Poland\u2019s Solidarity Movement.\u201d International Peace Review of Social History <\/i>52, no. S15 (2007): 133-51.<\/p>\n

tags: Theatre, Humor, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Romanos, Eduardo. \u201cThe Strategic Use of Humor in the Spanish 15m Movement.\u201d In Crisis and Social Mobilization in Contemporary Spain: The 15m Movement, <\/i>edited by B. Tejerina and I. Perugorr\u00eda. Farnham: Ashgate, 2015, in press.<\/p>\n

tags: Social Change, Humor, Creative Solidarity.<\/b><\/p>\n

 <\/p>\n

Rosler, Martha. If You Lived Here: The City in Art, Theory, and Social Activism. <\/i>New York: The New Press, 1991.<\/p>\n

tags: Theory, Contemporary Art, Social Change.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Routledge, Paul. \u201cSensuous Solidarities: Emotion, Politics, and Performance in the Clandestine Insurgent Rebel Clown Army.\u201d Antipode <\/i>44, no. 2 (2012): 428-52.<\/p>\n

tags: Clowning, Humor, Affect, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Roy, Carole. \u201cWhen Wisdom Speaks Sparks Fly: Raging Grannies Perform Humour as Protest.\u201d Canadian Woman Studies <\/i>25, no. \u00be (2006): 141-48.<\/p>\n

tags: Humor, Protest, Theatre, Women in Activism.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

S<\/h1>\n

Schriver, Kristina, and Donna Marie Nudd. \u201cMickee Faust Club\u2019s Performative Protest Events.\u201d Text and Performance Quarterly <\/i>22, no. 3 (2002): 196-216.<\/p>\n

tags: Protest, Theatre, Humor.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Schwarzman, Mat. Beginner’s Guide to Community-Based Arts. <\/i>New York: New Village Press, 2005.<\/p>\n

tags: Community Art, How-To, Creative<\/b> Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Scott, James C. Domination and the Arts of Resistance: Hidden Transcripts. <\/i>New Haven, CT: Yale University Press, 1990.<\/p>\n

tags: Classic, Cultural Resistance, Performance<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Shepard, Benjamin, L.M. Bogad, and Stephen Duncombe. \u201cPerforming vs. the Insurmountable: Theatrics, Activism, and Social Movements.\u201d Liminalities: A Journal of Performance Studies<\/i> 4, no. 3 (2008): 1-30<\/p>\n

tags: Theatre, Performance, Social Change, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Shepard, Benjamin Heim. Queer Political Performance and Protest: Play, Pleasure and Social Movement. <\/i>New York: Routledge, 2010.<\/p>\n

tags: Protest, Theatre, Imagination, LGBTQ.<\/b><\/p>\n

 <\/p>\n

Sholette, Gregory, and Blake Stimson. Collectivism After Modernism: The Art of Social Imagination After 1945<\/i>. Minneapolis: University of Minnesota Press. 2007.<\/p>\n

tags: Contemporary Art, Creative Solidarity, Imagination.<\/b><\/b><\/p>\n

 <\/p>\n

Sholette, Gregory. Dark Matter: Art and Politics in the Age of Enterprise Culture (Marxism and Culture). <\/i>London: Pluto Press, 2011.<\/p>\n

tags: Imagination, Theory, Marxism.<\/b><\/p>\n

 <\/p>\n

Spotts, Frederic. Hitler and the Power of Aesthetics. <\/i>London: Pimlico, 2003.<\/p>\n

tags: Europe, Aesthetics, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

St. John of Damascus, On the Divine Images: Three Apologies Against Those Who Attack the Divine Images. <\/i>Trans. David Anderson. New York: St. Vladimir\u2019s Seminary Press, 1980.<\/p>\n

tags: Classic, Philosophy.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

St. John, Graham. \u201cProstetival: Global Days of Action and Carnivalized Politics in the Present,\u201d in Social Movements Studies: Journal of Social, Cultural and Political Protest, <\/i>vol. 7:2, pp. 167-190. 2008.<\/p>\n

tags: Protest, Carnival, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Street, Joe. The Culture War in the Civil Rights Movement. <\/i>Gainesville, FL: University Press of Florida, 2007.<\/p>\n

tags: Black Arts Movement, Creative Solidarity, Cultural Resistance,<\/b>\u00a0Literature, Performance, America.<\/b><\/p>\n

\n

T\u00a0<\/strong><\/strong><\/h1>\n

Taylor, Diana. \u201cYou Are Here: The DNA of Performance\u201d.TDR <\/i>46, no.1 (2006) 149-169.<\/p>\n

tags: Performance, Latin America, Protest, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

The Laboratory of Insurrectionary Imagination. \u201cThe Laboratory of Insurrectionary Imagination.\u201d<\/p>\n

tags: Manifestoes, Imagination.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

The Space Hijackers. \u201cThe Space Hijacker\u201d<\/p>\n

tags: Manifestoes, Cultural Resistance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Thompson, Nato, Gregory Sholette, Joseph Thompson, \u00a0Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life. <\/i>North Adams, MA: MASS MoCA, 2004.<\/p>\n

tags: Contemporary Art, Creative Solidarity, Social Change, Protest.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Thompson, Nato. Living as Form: Socially Engaged Art from 1991-2011. <\/i>Cambridge, MA: MIT Press, 2012.<\/p>\n

tags: Contemporary Art, Art Criticism, Creative Solidarity.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

Tucker, Kenneth H. Workers of the World, Enjoy! Aesthetic Politics from Revolutionary Syndicalism to the Global Justice Movement. <\/i>Philadelphia, PA: Temple University Press, 2010.<\/p>\n

tags: Aesthetics, Activism, Theatre, Globalization, Marxism, Revolution.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

V<\/h1>\n

Vacarro, Jeanne. \u201cGive Me an F: Radical Cheerleading and Feminist Performance.\u201d 2008.<\/p>\n

tags: Protest, Feminism, Women in Activism, Theatre, Performance.<\/b><\/p>\n

\u00a0<\/strong><\/strong><\/p>\n

\n

 <\/p>\n

W<\/h1>\n

wa Thiong\u2019o, Ngugi. \u201cEnactments of Power: The Politics of Performance Space,\u201d in TDR<\/i> 41.3 (1997), pp. 11-30.<\/p>\n

tags: Performance, Protest, Theory.<\/b><\/p>\n

 <\/p>\n

Williams, Raymond. \u201cCulture;\u201d \u201cIdeology;\u201d and \u201cHegemony\u201d from Marxism and Literature. <\/i>Oxford: Oxford University Press, 1977.<\/p>\n

tags: Classic, Marxism, Theory, Literature.<\/b><\/p>\n\n\t

Tags: \n\tActivism<\/a>, Aesthetics<\/a>, Affect<\/a>, Africa<\/a>, AIDS<\/a>, America<\/a>, Anthologies<\/a>, Anthology<\/a>, Art Criticism<\/a>, Australia<\/a>, Black Arts Movement<\/a>, Carnival<\/a>, Chicano Art<\/a>, Classic<\/a>, Classic Texts<\/a>, Clowning<\/a>, Community<\/a>, Community Art<\/a>, Community Building<\/a>, Contemporary Art<\/a>, Creative Solidarity<\/a>, Cultural Resistance<\/a>, Dialogue<\/a>, Economics<\/a>, Education<\/a>, Europe<\/a>, Feminism<\/a>, Film and Video<\/a>, Globalization<\/a>, How-To<\/a>, Humor<\/a>, Imagination<\/a>, Immigration<\/a>, Institutions<\/a>, Jamming<\/a>, Labor.<\/a>, Latin America and Carribean<\/a>, LGBTQ<\/a>, Literature<\/a>, Manifestoes<\/a>, Marxism<\/a>, Mass Media<\/a>, Media Activism<\/a>, Middle East and North Africa<\/a>, North America<\/a>, Participatory Art<\/a>, Pedagogy<\/a>, Performance<\/a>, Philosophy<\/a>, Postcolonialism<\/a>, Protest<\/a>, Queer<\/a>, Race and Ethnicity<\/a>, Revolution<\/a>, Social Change<\/a>, Spectacle<\/a>, Surrealism<\/a>, Theatre<\/a>, Theory<\/a>, Utopia<\/a>, Women<\/a>, Women in Activism<\/a>
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