{"id":328,"date":"2015-04-13T02:27:04","date_gmt":"2015-04-13T02:27:04","guid":{"rendered":"http:\/\/www.artactcat.org\/?p=328"},"modified":"2015-04-13T02:27:04","modified_gmt":"2015-04-13T02:27:04","slug":"alonzo-pedro-et-al-art-and-agenda-political-art-and-activism-berlin-germany-gestalten-press-2011","status":"publish","type":"post","link":"https:\/\/www.artactcat.org\/?p=328","title":{"rendered":"Alonzo, Pedro, et. al. <i>Art and Agenda: Political Art and Activism.<\/i> Berlin, Germany: Gestalten Press, 2011."},"content":{"rendered":"\n\t<div class=\"taxopress-output-wrapper\"> <div class=\"st-post-tags \">Tags:  \n\t<a href=\"https:\/\/www.artactcat.org\/?tag=activism\" title=\"Activism\">Activism<\/a>, <a href=\"https:\/\/www.artactcat.org\/?tag=contemporary-art\" title=\"Contemporary Art\">Contemporary Art<\/a> <br \/> <\/div>\n<\/div>\n\n\t<div class=\"taxopress-output-wrapper\"> <h4>Related posts<\/h4>\n\t <ul class=\"st-related-posts\">\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=679\" title=\"Thompson, Nato. <i>Living as Form: Socially Engaged Art from 1991-2011.<\/i> Cambridge, MA: MIT Press, 2012. (June 12, 2015)\">Thompson, Nato. <i>Living as Form: Socially Engaged Art from 1991-2011.<\/i> Cambridge, MA: MIT Press, 2012.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=677\" title=\"Thompson, Nato, Gregory Sholette, Joseph Thompson,  Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. <i>The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life.<\/i> North Adams, MA: MASS MoCA, 2004. (June 12, 2015)\">Thompson, Nato, Gregory Sholette, Joseph Thompson,  Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. <i>The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life.<\/i> North Adams, MA: MASS MoCA, 2004.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?page_id=130\" title=\"The Complete Art-Activism Catalog (March 8, 2015)\">The Complete Art-Activism Catalog<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=654\" title=\"Shepard, Benjamin, L.M. Bogad, and Stephen Duncombe. \u201cPerforming vs. the Insurmountable: Theatrics, Activism, and Social Movements.\u201d <i>Liminalities: A Journal of Performance Studies<\/i> 4, no. 3 (2008): 1-30. (May 28, 2015)\">Shepard, Benjamin, L.M. Bogad, and Stephen Duncombe. \u201cPerforming vs. the Insurmountable: Theatrics, Activism, and Social Movements.\u201d <i>Liminalities: A Journal of Performance Studies<\/i> 4, no. 3 (2008): 1-30.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=592\" title=\"Rosler, Martha. <i>If You Lived Here: The City in Art, Theory, and Social Activism.<\/i> New York: The New Press, 1991. (April 29, 2015)\">Rosler, Martha. <i>If You Lived Here: The City in Art, Theory, and Social Activism.<\/i> New York: The New Press, 1991.<\/a> (0)<\/li>\n<\/ul> \n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tags: Activism, Contemporary Art Related posts Thompson, Nato. Living as Form: Socially Engaged Art from 1991-2011. Cambridge, MA: MIT Press, 2012. (0) Thompson, Nato, Gregory Sholette, Joseph Thompson, Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life. North Adams, MA: [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71],"tags":[7,5],"_links":{"self":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/328"}],"collection":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=328"}],"version-history":[{"count":1,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/328\/revisions"}],"predecessor-version":[{"id":329,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/328\/revisions\/329"}],"wp:attachment":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}