{"id":352,"date":"2015-04-13T02:39:23","date_gmt":"2015-04-13T02:39:23","guid":{"rendered":"http:\/\/www.artactcat.org\/?p=352"},"modified":"2015-04-13T02:39:23","modified_gmt":"2015-04-13T02:39:23","slug":"bilal-wafaa-and-kari-lydersen-shoot-an-iraqi-art-life-and-resistance-under-the-gun-san-francisco-city-lights-2008","status":"publish","type":"post","link":"https:\/\/www.artactcat.org\/?p=352","title":{"rendered":"Bilal, Wafaa, and Kari Lydersen. <i>Shoot an Iraqi: Art, Life, and Resistance Under the Gun.<\/i> San Francisco: City Lights, 2008."},"content":{"rendered":"\n\t<div class=\"taxopress-output-wrapper\"> <div class=\"st-post-tags \">Tags:  \n\t<a href=\"https:\/\/www.artactcat.org\/?tag=community-building\" title=\"Community Building\">Community Building<\/a>, <a href=\"https:\/\/www.artactcat.org\/?tag=contemporary-art\" title=\"Contemporary Art\">Contemporary Art<\/a>, <a href=\"https:\/\/www.artactcat.org\/?tag=middle-east\" title=\"Middle East and North Africa\">Middle East and North Africa<\/a> <br \/> <\/div>\n<\/div>\n\n\t<div class=\"taxopress-output-wrapper\"> <h4>Related posts<\/h4>\n\t <ul class=\"st-related-posts\">\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=679\" title=\"Thompson, Nato. <i>Living as Form: Socially Engaged Art from 1991-2011.<\/i> Cambridge, MA: MIT Press, 2012. (June 12, 2015)\">Thompson, Nato. <i>Living as Form: Socially Engaged Art from 1991-2011.<\/i> Cambridge, MA: MIT Press, 2012.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=677\" title=\"Thompson, Nato, Gregory Sholette, Joseph Thompson,  Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. <i>The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life.<\/i> North Adams, MA: MASS MoCA, 2004. (June 12, 2015)\">Thompson, Nato, Gregory Sholette, Joseph Thompson,  Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. <i>The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life.<\/i> North Adams, MA: MASS MoCA, 2004.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?page_id=130\" title=\"The Complete Art-Activism Catalog (March 8, 2015)\">The Complete Art-Activism Catalog<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=670\" title=\"Taylor, Diana. \u201cYou Are Here: The DNA of Performance\u201d.<i>TDR<\/i> 46, no.1 (2006) 149-169. (June 12, 2015)\">Taylor, Diana. \u201cYou Are Here: The DNA of Performance\u201d.<i>TDR<\/i> 46, no.1 (2006) 149-169.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=668\" title=\"Street, Joe. <i>The Culture War in the Civil Rights Movement.<\/i> Gainesville, FL: University Press of Florida, 2007. (May 28, 2015)\">Street, Joe. <i>The Culture War in the Civil Rights Movement.<\/i> Gainesville, FL: University Press of Florida, 2007.<\/a> (0)<\/li>\n<\/ul> \n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tags: Community Building, Contemporary Art, Middle East and North Africa Related posts Thompson, Nato. Living as Form: Socially Engaged Art from 1991-2011. Cambridge, MA: MIT Press, 2012. (0) Thompson, Nato, Gregory Sholette, Joseph Thompson, Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. The Interventionists: Users\u2019 Manual for the Creative Disruption [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71],"tags":[95,5,90],"_links":{"self":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/352"}],"collection":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=352"}],"version-history":[{"count":1,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/352\/revisions"}],"predecessor-version":[{"id":353,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/352\/revisions\/353"}],"wp:attachment":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}