{"id":368,"date":"2015-04-13T02:48:38","date_gmt":"2015-04-13T02:48:38","guid":{"rendered":"http:\/\/www.artactcat.org\/?p=368"},"modified":"2015-04-13T02:48:38","modified_gmt":"2015-04-13T02:48:38","slug":"bordowitz-gregg-my-80s-my-postmodernism-in-artforum-march-2003","status":"publish","type":"post","link":"https:\/\/www.artactcat.org\/?p=368","title":{"rendered":"Bordowitz, Gregg. \u201cMy \u201880s: My Postmodernism\u201d in <i>Artforum<\/i>, March 2003."},"content":{"rendered":"\n\t<div class=\"taxopress-output-wrapper\"> <div class=\"st-post-tags \">Tags:  \n\t<a href=\"https:\/\/www.artactcat.org\/?tag=aids\" title=\"AIDS\">AIDS<\/a>, <a href=\"https:\/\/www.artactcat.org\/?tag=contemporary-art\" title=\"Contemporary Art\">Contemporary Art<\/a>, <a href=\"https:\/\/www.artactcat.org\/?tag=cultural-resistance\" title=\"Cultural Resistance\">Cultural Resistance<\/a>, <a href=\"https:\/\/www.artactcat.org\/?tag=north-america\" title=\"North America\">North America<\/a>, <a href=\"https:\/\/www.artactcat.org\/?tag=queer\" title=\"Queer\">Queer<\/a> <br \/> <\/div>\n<\/div>\n\n\t<div class=\"taxopress-output-wrapper\"> <h4>Related posts<\/h4>\n\t <ul class=\"st-related-posts\">\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=679\" title=\"Thompson, Nato. <i>Living as Form: Socially Engaged Art from 1991-2011.<\/i> Cambridge, MA: MIT Press, 2012. (June 12, 2015)\">Thompson, Nato. <i>Living as Form: Socially Engaged Art from 1991-2011.<\/i> Cambridge, MA: MIT Press, 2012.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=677\" title=\"Thompson, Nato, Gregory Sholette, Joseph Thompson,  Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. <i>The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life.<\/i> North Adams, MA: MASS MoCA, 2004. (June 12, 2015)\">Thompson, Nato, Gregory Sholette, Joseph Thompson,  Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. <i>The Interventionists: Users\u2019 Manual for the Creative Disruption of Everyday Life.<\/i> North Adams, MA: MASS MoCA, 2004.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=675\" title=\"The Space Hijackers. &#8220;Second Manifesto of the Space Hijackers&#8221; http:\/\/www.spacehijackers.org\/html\/manifesto.html n.d. (June 12, 2015)\">The Space Hijackers. &#8220;Second Manifesto of the Space Hijackers&#8221; http:\/\/www.spacehijackers.org\/html\/manifesto.html n.d.<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?page_id=130\" title=\"The Complete Art-Activism Catalog (March 8, 2015)\">The Complete Art-Activism Catalog<\/a> (0)<\/li>\n\t<li><a href=\"https:\/\/www.artactcat.org\/?p=668\" title=\"Street, Joe. <i>The Culture War in the Civil Rights Movement.<\/i> Gainesville, FL: University Press of Florida, 2007. (May 28, 2015)\">Street, Joe. <i>The Culture War in the Civil Rights Movement.<\/i> Gainesville, FL: University Press of Florida, 2007.<\/a> (0)<\/li>\n<\/ul> \n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tags: AIDS, Contemporary Art, Cultural Resistance, North America, Queer Related posts Thompson, Nato. Living as Form: Socially Engaged Art from 1991-2011. Cambridge, MA: MIT Press, 2012. (0) Thompson, Nato, Gregory Sholette, Joseph Thompson, Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. The Interventionists: Users\u2019 Manual for the Creative Disruption of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71],"tags":[10,5,17,11,36],"_links":{"self":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/368"}],"collection":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=368"}],"version-history":[{"count":1,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/368\/revisions"}],"predecessor-version":[{"id":369,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=\/wp\/v2\/posts\/368\/revisions\/369"}],"wp:attachment":[{"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artactcat.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}